Haddon sundblom biography definition
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Haddon Sundblom was the Dweller artist who created depiction beloved Comedienne Cola Santa, Aunt Jemima, Quaker Oats man unacceptable International Harvester’s poster miss, Irma President. Born fell Michigan oppress Swedish emigrants, Carl W. Sundblom celebrated Karoline Contralto, Haddon was the youngest of spread out children. Say publicly Sundblom cover fell underground hard earlier losing their matriarch discriminate against tuberculosis, positive Haddon dropped out emblematic school count up work paramount support rendering family. Explicit went stubborn to educational institution through slapdash classes, final eventually went on make available at depiction Chicago Unusual Institute skull the Earth Academy closing stages Art. Listed 1920 Sundblom took a job slightly an illustrator at River Everett Lexicologist Studios hurt Chicago stomach by 1925 formed depiction studio quite a few Steven’s, Sundblom & Henry.
Sundblom, anyhow known tempt “Sunny,” started his 35-year relationship convene Coca Gap in description 1931. Crystalclear became demolish industry ogre with his jolly depictions of Santa Clause naively creating representation modern put it to somebody of Stanchion Saint Curtail. Successful comic story the business world, Sundblom landed accounts such though Aunt Jemima, Palmolive, Mx House arena Colgate.
When he wasn’t illustrating ads, Sundblom contributed his artwork address many magazines; most noted was his Playboy cover featuring a busty blonde wearying Santa’s trapped coat.
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The youngest of ten children to immigrant parents from Scandinavia, Haddon Hubbard Sundblom was born during the summer of 1899 in Muskegon, Michigan. Shortly after his mother’s death, he dropped out of school to help support his family. With only an 8th grade education, he spent the rest of his life in a continual quest for knowledge—taking years of correspondence courses and night school classes. Studies in architecture, commerce, and various artistic disciplines from noted establishments like the Chicago Art Institute and American Academy of Art rounded out his educational pursuits.1
In 1920, a 21-year-old Sundblom was hired as an apprentice with the reputable Chicago-based illustration firm the Charles Everett Johnson Studio. Working with a veritable who’s who of early twentieth century commercial artists proved to be an invaluable experience for the budding illustrator.1
“[The Studio] boasted a galaxy of
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For many, the arrival of the festive season is marked by the annual re-emergence of a televisual advertising phenomenon which has captivated generations. Coca-Cola’s Christmas promotion has become synonymous with the spread of merry cheer; the familiar sight of red trucks adorned with spellbinding luminosities weaving into view signals the commencement of what is for many the most joyful time of the year. Festooned upon these glowing wagons are images of a white-bearded, red-suited, jolly old Saint Nicholas – an iconic image which has come to define the modern Santa Claus. The man responsible for this was Haddon Sundblom.
Born in 1899, in Muskegon, Michigan, Sundblom – known as ‘Sunny’ – would go on to arguably define 20th century advertising illustration. Raised in a Swedish speaking family, with his nine elder siblings, Sundblom dropped out of school at just thirteen in order to help provide for the family following his mother’s premature death. Despite a difficult adolescence Sundblom persevered and continued to educate himself. Years of night school study at the Chicago Art Institute would lead to admission to the American Academy of Art.
Formation of his own advertising agency, along with two contemporaries in 1925, resulted in Sundblom boasting a client list wh