Chan hon goh autobiography definition

  • Another part of Goh's life involves sharing her secrets of success.
  • Chan Hon Goh, director of Canada's Goh Ballet Academy, and the first ever ethnically Chinese principal dancer in The National Ballet of Canada.
  • As a principal dancer of the National Ballet of Canada for more than 20 years, Chan Hon Goh was known for her technical skill, lyricism and emotional depth.

  • RMP: Describe the journey from Canada's leading ballerina to Goh Ballet artistic director.

    CHG: It has been 12 years, almost to the day, that I retired as Principal Dancer of the National Ballet of Canada and moved back to Vancouver a month later. The transition, as one might think, should be a natural one but there were many things which I was not prepared for. Things like, the management of people; staff and contractors as compared to being managed, the ungratifying work behind the scenes, supporting the community emotionally and many more that took me by storm. I had expected to be able to face all challenges and yet I feel the thing that was perhaps the biggest challenge was stepping away from the spotlight and being able to capably shine it on others. Fast track 12 years later, as I continue this journey, I have found meaning to contribute in many other ways to the fostering and cultivation of the artform that has been a part of my life since I was born. The 2 positions are drastically different, but the constant drive is the love of dance; my passionate pursuit to raise the barre from different perspectives as an artist. Perhaps the question now is: which position do I like better?

    RMP:What has delighted you in this role?

    CHG: Each day that I arrive a

    Chan Hon Goh. Living for Ballet

    Writer: Kelly Bai

    Photographer: Alfonso Arnold

    Photographer Assistant: Alejandro Chavarria

    Makeup: Jennifer Dicaire

    Stylist: Sarah D’Arcey

    Fashion: Nordstrom Vancouver

    Location: Jordans Interior

    Translation: Risa Liu

    Over the telephone comes a gentle and pleasant female voice, soft and smooth, intensely feminine. The owner of this voice is Chan Hon Goh, director of Canada’s Goh Ballet Academy, and the first ever ethnically Chinese principal dancer in The National Ballet of Canada.

    Chan Hon Goh’s path in ballet might seem predictable. She was born in a ballet family —her father, Choo Chiat Goh, was a dancer with the Central Ballet of China and gained immense popularity there in the‘60s, while her mother, Lin Yee Goh, was also a principal dancer in the Central Ballet of China. It would seem logical for family of ballet dancers to raise Chan Hon Goh as a ballet dancer as well, but it did not actually occur in this way.

    Choo Chiat Goh immigrated to Canada in and founded the Goh Ballet Academy, teaching ballet to children. By the time Chan Hon Goh arrived in Canada, she was already eight years old and up to that point had never learned ballet. Instead, she had started learning the piano at the age of three.

    “They wanted me to become a con

  • chan hon goh autobiography definition
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