Tandy beal biography

  • Tandy began her career at age 16 touring world-wide with Alwin Nikolais Dance Theatre, performing off-Broadway, appearing as a guest with Atlanta Ballet, Momix, Remy Charlip, Murray Louis, Oakland Ballet, Carolyn Carlson in France and Bobby McFerrin, with whom she has worked for over 30 years.
  • “Tandy Beal is one of the most enduring treasures of Santa Cruz County.
  • American director, choreographer, solo performer, teacher and writer.
  • Tandy Beal

    Tandy began her career at age 16 touring world-wide with Alwin Nikolais Dance Theatre, performing off-Broadway, appearing as a guest with Atlanta Ballet, Momix, Remy Charlip, Murray Louis, Oakland Ballet, Carolyn Carlson in France and Bobby McFerrin, with whom she has worked for over 30 years. She has made 100+ works for her own company touring 4 continents. 

    Her off-the-map career has led her to opera, circus, music videos, corporate events, solo shows, animation, horse spectacles, commercials, and fundraising extravaganzas. 

    A woman of diverse theatrical talent and expertise, Tandy served as Artistic Director for the Moscow Circus in Japan for 2 years and for the Pickle Family Circus for 10 years.

    Tandy has worked with many composers, including Art Lande, Lou Harrison, John Adams, SoVoSó and for 50 astonishing years with her co-conspirator, Jon Scoville. She was the choreographer for Tim Burton’s The Nightmare Before Christmas, MTV and the Emmy award-winning PBS special, Voice/Dance. She received awards from the American Film Institute to make a film on Hildegard von Bingen, and the San Francisco Museum of Performance and Design chose Beal for their video project Four Dance Icons of the West

    Tandy has taught at the Centre

    Archives West Most important Aid

    CorrespondenceReturn reach Top

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    11

    Booking Similarity, 1984-1985

    12

    Correspondence

    1995
    13

    Europe Correspondence

    1981-1982
    14

    General Correspondence

    1958-1999
    15

    Hawaii Cord Correspondence

    1995-1996
    16

    Japan Correspondence

    1986-1987
    17

    Pixar Letter

    1996
    18

    Westaff Correspondence

    1988-1989
    19

    Cards

    1988-1989
    110

    Miscellaneous Correspondence

    1977-1991

    Company InformationReturn to Top

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    21

    Company Information

    1989-1990
    22

    Historical Information

    1993-1994
    23

    Three Year Aesthetic Plan Narrative

    1990
    24-6

    Long Range Plan

    1991-1994
    27

    Progress Reports

    1995-1996
    28

    Plans forward Goals

    1990-1992
    29

    Company Profile

    210

    Business Plan Workshop

    211

    Resume, Biography, brook Profile

    212

    Former Business Members

    1990-1991
    213

    Old On top of Information

    1971-1980
    214

    Self Assessment

    1995
    215

    Consultants

    1995-1996
    216-17

    Notes

    Boards and CommitteesReturn to Top

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    31

    Minutes

    1992-1993
    32-3

    Minutes

    1993
    34-6

    Minutes

    1994
    37-9

    Minutes

    1995
    310

    Miscellane

    By Scott MacClelland

    Since physics tells us that energy cannot be destroyed, but only converted into another form, we must be grateful that so much of it found its way into Tandy Beal, Felton’s gift to the world of dance. 

    Why Felton, you ask? A good question for a dancer/choreographer who honed her craft in New York. In fact, moving from the Big Apple to Santa Cruz was done in fits and starts. Beal’s artistic partner and husband, composer Jon Scoville, initiated the relocation. “I didn’t want to do it,” says Beal. But Scoville had a scholarship job at Yale where his teacher was Harry Berger, and when Berger came to the nascent UC Santa Cruz as a professor of literature, Scoville followed him.

    Meanwhile, Beal, whose parentswere both professional actors and living in Connecticut, found hergirlish enthusiasm for dance reignited in junior high when she happened to see an Alwin Nikolais performance. “I knew I would dance with him,” she declares, “and I did!” The American-born Nikolais, influenced early on by the German modern dance pioneer Mary Wigman, was a pupil of Hanya Holm at the dance school at Bennington College whose other leading lights included Doris Humphrey, Dennis Weidman and Martha Graham. When Beal met Nikolais, he was already known for his witty ide

  • tandy beal biography