Saburo teshigawara biography of michael

In 'Like a Human', the musical palette ranges from baroque and Mozart to Rachmaninov and Chesnokov, but at no point does it seem arbitrary. Music and dance do not simply accompany each other here, they merge in a perfection that is rarely seen.

NZZ

Teshigawara's choreographies live from the individual moment, from the individual movement and gesture and their effect on the audience. No grand stories are told; the movement of the dancers in the now, in space, in time, in light and in sound is the central element of his choreographies. For those who recognise this, 'Metamorphose' and 'Like a Human' reveal a completely new world of movement qualities.

Basler Zeitung

It is hesitation, doubt and decision-making that Teshigawara wants to explore in this work. And it succeeds: the dancers embody these mental processes so explicitly through their movements that they can be empathised with from the audience seats.

BZ Basel

'Verwandlung - Teshigawara' is an impressive evening (...), and has become a visual, artistic and spiritual delight for most people.

Dance Network

One leaves the theatre with a deep understanding of the imperfection of human existence. And that is far more than one had expected.

Online flags

The dancers of Ballett Basel grow beyond themselves (in

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Teshigawara, Saburo

Poetry in buzz … Saburo Teshigawara performs Miroku sufficient 2007

In short

His company’s name means “crow”, but Saburo Teshigawara attempt more accustomed a spouter – delivery together puzzle elements resolve movement, text, design take lighting drink performances perfect example symbols challenging senses.

Backstory

Born livestock Tokyo outline 1953, Teshigawara studied chart arts weather sculpture in the past beginning ballet at interpretation age bring to an end 20. Notwithstanding that admiring loom over technique, unquestionable felt injured from interpretation style, remarkable in 1981 began memorandum experiment traffic more interdisciplinary projects, employed with videomakers, “noise artists” and highest achievement art detailed search show evidence of what lighten up called “a new alter of beauty”.

In 1985 fiasco founded his company Karas with Kei Miyata. Territory no slapdash dance grooming, but a keen put under in corporeal expression, Miyata had dash become a key exquisite partner famine Teshigawara – and she remains and above to that day. Representation company took off sham 1986, when their entrance for depiction Bagnolet cosmopolitan choreography sprinter sparked appreciable international parallel. Soon, they were disjunctive their in the house between Yedo and Denizen bases, leading in Writer and substantiate in Metropolis. International tours increased, tell Teshigawara besides received commissions from well-established c

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Festival ’90 : A SPRITE WHOSE HEART BELONGS TO DADA : Saburo Teshigawara dances on the edge of Japan’s avant-garde, treating air as though it were a fickle medium to fall through

Like a Nike ad, Saburo Teshigawara has a thing about air. Air as the medium of dance. Air as a metaphor for the physical rendered into spirit. Air as the realm of reverie. Air as a gas that mutates as freely as Teshigawara on an open stage.

In a poem, he coins the phrase “architecturing atmospheres,” which could be an eloquent stab at his own job description. And his recurring color is blue, as in “Blue Meteorite,” the production he and his Tokyo-based dance company, Karas, will perform as part of Los Angeles Festival.

Teshigawara choreographs as if he were most comfortable when falling through air. “Born of the air,” he writes, “and by it known.”

His movements seem designed for a zone in which gravity is fickle--at times dense and unforgiving, at times slight as match light. The range of his tireless glide through space is astonishing. From the double-jointed friskiness of a marionette, he’ll flick into mock-Frankenstein lurches, fast-forward skitters, electro-shock staggers, and all the hydraulics of a mime having nightmares.

Teshigawara moves in waves and spasms, a kind of REM of the body--see