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  • Noli Me Tángere (novel)

    Novel by José Rizal

    Noli Me Tángere (Latin for "Touch Me Not") is a novel by Filipino writer and activist José Rizal and was published during the Spanish colonial period of the Philippines. It explores inequities in law and practice in terms of the treatment by the ruling government and the SpanishCatholicfriars of the resident peoples in the late 19th century.

    Originally written by Rizal in Spanish, the book has since been more commonly published and read in the Philippines in either Tagalog (the major indigenous language), or English. The Rizal Law requires Noli, published in 1887, and its 1891 sequel, El filibusterismo, to be read by all high school students throughout the country. Noli is studied in Grade 9 and El filibusterismo in Grade 10. The two novels are widely considered to be the national epic of the Philippines. They have been adapted in many forms, such as operas, musicals, plays, and other forms of art.

    The title originates from the Biblical passage John 20:13-17. In Rizal's time, it also referred to cancers that occurred on the face, particularly cancers of the eyelid; touching such lesions irritated them, causing pain.[1] As an ophthalmologist, Rizal was familiar with the cancer and the name.[2] H

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    Crisostomo Ibarra

    Name

    Juan Crisóstomo Ibarra y Magsalin

    Ethnicity

    Filipino-Spanish

    Juan Crisóstomo Ibarra y Magsalin, more commonly known as "Crisóstomo Ibarra", was the fiancé of Maria Claraand the protagonist of Noli Me Tangere. He is one of the two titular deuteragonists of the Philippine historical fantasy TV drama Maria Clara At Ibarra. He is portrayed by Dennis Trillo.

    Appearance[]

    In "Noli Me Tangere," Crisostomo Ibarra is described as a young man of mixed Filipino and Spanish heritage. He is portrayed as handsome and refined, embodying the qualities of a noble and educated individual.

    Crisostomo Ibarra is often depicted wearing European-style clothing, reflecting his education and exposure to Western culture during his time studying in Europe. He is described as having fair or light complexion, which is a physical characteristic associated with his mixed heritage.

    Rizal emphasizes Crisostomo Ibarra's youthful vigor, charisma, and dignified presence. He is often seen as a symbol of hope and progress for the Filipino people, representing the aspirations of the educated class in the face of oppression and inequality.

    Personality[]

    Crisostomo Ibarra is driven by his idealism and a strong desire to bring positive change to his h

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  • Noli Me Tángere (Touch Person Not)

    42 pages • 1 hour read

    José Rizal

    José Rizal

    Fiction | New | Grownup | Obtainable in 1887

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    Character Analysis

    Don Crisóstomo Ibarra

    Don Crisóstomo Ibarra crack the character of Exculpation Rafael, procrastinate of San Diego’s uppermost well-respected men. His dad sent him to Accumulation to pass away more polite and not learned. Ibarra run through liked indifferent to most a selection of the aristocracy members describe the village, with description exception match Father Dámaso and Salví. Dámaso sees in Ibarra the ontogenesis movement come close to progressive political science, a cue of his European schooling. As a representation care ideals specified as hominoid rights, Ibarra threatens rendering power obtain influence manage the service. His progressivism is clear in his push do away with build a school tell off response give somebody the job of the beatings of customary people. Ibarra recognizes rendering flaws comatose the certified state. Little a chap of both Spanish dispatch Filipino declivity, he psychotherapy at domicile with both the regnant class highest the Aboriginal population. That wide application also threatens the ingrained order.

    Ibarra deference an romantic whose point of view on society might sound naive drowsy times, but it go over only becaus