Lizzy goodman biography
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Meet Me in the Bathroom (book)
oral history book by Lizzy Goodman
For the song by The Strokes, see Room on Fire.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City – is an oral history which details the rebirth of the New York rock scene in the new millennium, written and compiled by music journalist Lizzy Goodman. It was published in May by Dey Street Books, an imprint of HarperCollins.[1] The book is named after the Strokes song of the same name from their album Room on Fire.
Summary
[edit]Meet Me in the Bathroom details the rise of New York's music scene post-9/ The book details both influential musicians of the decade and the culture that surrounded them, including the declining music industry, internet culture, and the booming real estate market in Lower Manhattan and Williamsburg. Meet Me in the Bathroom follows some of the most prominent musical artists of the period, including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, and Interpol.
Over six years, Goodman conducted more than original interviews for the book with members of these bands as well as other musicians, artists, journalists, bloggers, managers, music executives, groupies, DJs, and other prominent voices from that time period.[2] Goodman's assi
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“Meet Me in the Bathroom”: An Interview with Lizzy Goodman
New York City in the late s was undergoing a fair amount of changes. Mayor Rudy Giuliani was cracking down on crime and cleaning up a seedy Times Square, turning its grimy sex shops and crime-ridden streets into a gleaming, Disney-like paradise for tourists (what would New York be without the Hard Rock Cafe?). People seemed to be moving back into Gotham. The city was on an upswing of sorts, though not just economically. Culturally, a new generation of kids was reinvigorating what &#;New York&#; music could be. Whether or not they thought people would give a shit is another story.
During a time where Seattle still seemed cool enough (fresh off of the frenzy that was &#;grunge&#;), and polished pop stars like Britney Spears dominated the mainstream radio airwaves, New York seemed old and tired. To be a band in New York during this time was a chore, and quite honestly a disservice to your friends (who now had to come watch you play). That whole &#;New York&#; thing was done. The Velvet Underground were long gone, the Ramones’ time had passed, and the Talking Heads were forever separated by bad blood. Despite this, bands like the Strokes, the Yeah Yeah Yeahs, Interpol and LCD Soundsystem found their sound in dingy night