Humberto calzada biography examples

  • Calzada is a self-taught painter, an engineer by training, although his first career choice was architecture.
  • He was born in 1944 in the city of Havana and it was there that he began his education.
  • Humberto Calzada (Born 1944) is active/lives in Cuba.

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      Humberto Calzada
      El Observatorio - The Observatory, 1986
      HUMBERTO CALZADA. A name of increasing prestige among Cuban painters in exile is that of Humberto Calzada. He was born in 1944 in the city of Havana and it was there that he began his education. Abandoning the island with his family in 19 60, he completed high school in Miami, after which he went on to obtain a degree in industrial engineering at the local university in 1966. Two more years of study at the same institution provided him with a graduate degree in finance. For seven years C alzada engaged in the practice of engineering, all the while trying his hand at painting on a self-taught basis. In 1975 he decided to become a full-time artist. Calzada has refused to associate himself with the baroque tendency which has so long been do minant in Cuban art. Not for him are the tile roofs, the ironwork, the finials atop facades, the massive door knockers, the high-backed wicker rockers, and the gardens bursting with blooms that have been favored motifs for four decades and more. Calzada's preference is for interiors and exteriors bathed in an even lighting that imparts an impression of classic stability and calm. At one point he was visibly influenced by his compatriot Emilio Sanchez, who delighted in the orname

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      Humberto Calzada: A Look Into The Life Of A Great Artist


      Going inside Humberto Calzada‘s home is like stepping into one of his paintings. He and wife Carmen greet us at the door. The scene reminds me of Entrance to an Imaginary Past (1995) or The Icon: Homage to Cundo Bermúdez (1993). It could be an Indiscretion (1996), but we have an Invitation to Drink Coffee (1992).The work of Humberto Calzada (Havana, 1944; Miami) can be organized by the recurring themes he has used at different times in his career.

      HUMBERTO CALZADA.

      Two facets mark his early period from the late 1970s. The first includes works with very colorful and undulating lines, as in Casa de Campo (1975). With a smile he admits, “it was a very psychedelic stage”, and we see an artist looking for a way of expression. The other, characterized by works such as Balcón de Finca (1973) and The Balustrade (1974), forecasts the development of his future work: paintings of buildings and stained glass windows perfectly delineated, recognizable within the context of the design of the city of Havana.

      A second period begins in the early 1990s. He introduces abstraction to complement the otherwise figurative style. In addition, he establishes a conversation with works from the history of Cuban Art:

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