Future talk urszula dudziak biography
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Urszula Dudziak
In girlhood she cultured to part piano, began singing pull high primary, influenced lump the list of Ella Fitzgerald. She began see career convoluted the '60s with depiction team help Krzysztof Komeda, also chant and transcribed with say publicly orchestra disbursement Edward Pianist. Originally performed mainly talk standards, but then teamed up comicalness future old man Michal Urbaniak and denaturised the font of Spread out jazz.
In 1973, together go through Michal Urbaniak she went to Fresh York opinion did put the last touches to recording. She has performed or evidence together portend such wellknown artists as: Bobby McFerrin, Herbie Hancock, Jaco Pastorius, Ron Egyptologist, Michael Brecker, Flora Purim, Nina Simone, Carmen McRae, Dee Dee Bridgewater, Strict and Lionel Hampton.
Dudziak has performed be bounded by almost move away countries get round Europe, Accumulation and rendering Americas, including New York's famous Philanthropist Hall be first the City Jazz Commemoration. She worked with visit famous talk bands deed formations, including Vocal Apex, Vienna Branch out Orchestra, depiction Gil Anatomist Orchestra folk tale Archie Shepp.
She recorded not quite 50 albums, highlighted by: "Newborn Light" (1972) "Fusion" (1974) "Atma" (1975) "Midnight Train" (1977) "Voc
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Born on October 22, 1943, Straconka, Poland. Although Dudziak studied piano formally for some years, she began to sing in the late 50s after hearing records by Ella Fitzgerald. Within a few years she was one of the most popular jazz artists in her native country. She met and later married Michal Urbaniak, recording with him during the 60s. In the late 60s they began to travel overseas and in the 70s settled in New York. Language barriers hold no problems for her, as she customarily eschews words in favour of a wordless vocalizing that is far more adventurous than scat. Already gifted with a remarkable five-octave range, Dudziak employs electronic devices to extend still further the possibilities of her voice. She has frequently worked with leading contemporary musicians, including Archie Shepp and Lester Bowie, and was a member of the Vocal Summit group, with Jay Clayton, Jeanne Lee, Bobby McFerrin, Norma Winstone, Michelle Hendricks, and Lauren Newton. Although her remarkable talent is worthy of greater exposure, Dudziak's chosen style has meant that she has remained relatively unknown except to the cognoscenti.
Discography:
Newborn Light (Columbia 1972)****, Urszula (Arista 1975)***, with Michal Urbaniak Tribute To Komeda (MPS 1976)***, Midnight Train (Arista 1977)***,
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Polish jazz vocalist Urszula Dudziak (1943), wife of Michal Urbaniak, made her reputation thanks to a five-octave range. Relocating to New York, she began recording albums of wordless, electronically-processed scat, such as Newborn Light (november 1972), Urszula (Arista, 1975), Midnight Rain (Arista, 1977), Future Talk (february 1979).
Urszula (Arista, 1975) contains ten short pieces (all but two composed by her) for voice and small jazz ensemble. Only one composition on Midnight Rain (Arista, 1977) is hers. Future Talk (Inner City, 1979) has four brief ones by her. All three albums feature her husband on lyricon and/or violin.
In 1982 she formed Vocal Summit with other avantgarde vocalists such as Jay Clayton and Jeanne Lee. Her voice can also be heard on Ulla (1982), Sorrow Is Not Forever Love Is (november 1982 - Keytone, 1983), Warsaw Jazz Festival (october 1991), Malowany Ptak (september 1997), and several of her husband's records.
Magic Lady (april 1989) was the first collaboration with the combo Walk Away (Bernard Maseli on vibraphone and marimba, Jaroslaw Zawadzki on keyboards, Adam Wendt on saxophones, Pawel Maqciwodal on bass, Krzystof Zawadzki on drums). Saturation (may 1993) and Walk Away Feat